SELECTED PUBLICATIONS: Photographs, Articles, & Self-Authored Essays
Ballerini, Julia, ed. SEQUENCE(con)SEQUENCE, Aperture Foundation, NY, 1989
Cerbarano, Rica, “No Images on the Front Page • The New York Times During the Pandemic” Vogue Italia, April 7, 2020
England, Odette, ed, Keeper of the Hearth, Schilt Publishing, 2020
Ewing, William A. and Barbara P. Hitchcock, editors, The Polaroid Project: At the Intersection of Art and Technology), University of California Press, Oakland
Felshin, Nina, The Presence of Absence: New Installations, Independent Curators, Inc., NY, NY, 1989
Galassi, Peter, The Pleasures and Terrors of Domestic Comfort, Museum of Modern Art, NY, 1991
Geibert, Ronald, Parents, The Dayton Art Institute, Dayton, OH, 1992
Gender and Memory, special issue of SIGNS: Journal of Women in Culture and Society (UCLA), vol. 28, no. 1., edited by Marianne Hirsch and Valerie Smith. Cover image and “Missing,” pp.478-79, University of Chicago Press, Journal Division, Fall 2002.
George, Alice Rose, Abigail Heyman, and Ethan Hoffman, eds., flesh & blood, Picture Project, NY, 1992
Handy, Ellen, “Fixing the Art of Digital Photography: Electronic Shadows,” History of Photography,Spring 1998, Guest Editor Susan H. Edwards
Handy, Ellen, “Genius loci, Ingenious Locations, and Landscape Photography Today, Nostalgia, Femininity, and Looking Toward the Millennium,” Camerawork, A Journal of Photographic Arts, San Francisco, CA, Vol. 23 No. 2, 1996
Hirsch, Marianne and Lorie Novak, “Above The Fold: From Columbine to COVID, a conversation between Marianne Hirsch and Lorie Novak,” doc! Magazine 46, Blow Up Press, 2020, PDF
Hirsch, Marianne, “Collected Memories: Lorie Novak’s Virtual Family Album,” in Inter/Faces: Women’s Visual and Performance Art, ed. by Sidonie Smith, Julia Watson, Ann Arbor: Univ. of Mich., 2003. READ
Hirsch, Marianne, and Lorie Novak, “Family Projections: Lorie Novak in conversation with Marianne Hirsch,” Family Politics, Issue 20, Photoworks Annual, Brighton, England, 2013, PDF
Hirsch Marianne, “Photography in the Age of Social Distance,” Contactos, Hemispheric Institute, 2020
Hirsch, Marianne, The Generation of Postmemory: Writing and Visual Culture After the Holocaust, Columbia University Press, NY, 2012. Cover Image and work discussed in several essays.
Hirsch, Marianne, “Projected Memory: Holocaust Photographs in Personal and Public Fantasy,” in Acts of Memory: cultural recall in the present ed. by Mieke Bal, Jonathan Crewe, and Leo Spitzer, University Press of New England, Hanover, NH, 1999
Hirsch, Marianne, “Resisting Images: Power, Knowledge, and Agency” in Provoking Agent
edited by Judith Gardiner, University of Illinois Press, 1995
Hirsch, Marianne, “Surviving Images: Holocaust Photographs and the Work of Postmemory,” The Yale Journal of Criticism 14.1, Spring 2001, pp. 5-37, Yale Univ. and The Johns Hopkins Univ. Press. PDF
Hirsch, Marianne, FAMILY FRAMES photography, narrative, and postmemory, Harvard,1997
Hirsch, Marianne and Leo Spitzer, School Photos in Liquid Time: Reframing Difference, University of Washington Press, Seattle, 2020
Kenny, Kay, “Lorie Novak,” Encyclopedia of Twentieth-Century Photography, Routledge, NY,
Volume 2, p.1169-1172, 2006
Korean Monthly Photo Magazine, Featured Photographer, October 2005
Lahs-Gonzales, Olivia and Lucy Lippard, Defining Eye: Women Photographers of the 20th Century,
St. Louis Art Museum, St. Louis, MO, 1997
Lovejoy, Margot, Digital Currents: Art in the Electronic Age, Routledge, 2004
Marocci, Roxanne, Our Selves: Photographs by Women Artists, Museum of Modern Art, 2022
Nordstrom, Alison, VOYAGES (per)FORMED exhibition catalogue, Southeast Museum of Photography, Daytona Beach, FL, 2001
Novak, Lorie, “Collected Visions”, in The Familial Gaze, ed. by Marianne Hirsch,
University Press of New England, Hanover, NH, 1999, PDF
Novak, Lorie, “Fragments and Past Lives,” in Gender and Culture in the 1950s edited by Deborah Nelson, WSQ (Women’s Studies Quarterly), Vol 33, Nos. 3 & 4, Fall/Winter 2005, PDF
Novak, Lorie, “Photographic Interference,” in Picturing Atrocity edited by Geoffrey Batchen, Mick Gidley, Nancy K. Miller, Jay Prosser, Reaktion Books, London, 2012, PDF
Novak, Lorie, “Photographs,” 9 11: Trauma at Home, ed. by Judith Greenberg, Univ. of Nebraska, 2003
Novak, Lorie, “Visualizing Displacement Above The Fold” in Women and Migration(s) edited by Deborah Willis, Ellyn Toscano, Kalia Brooks Nelson, Open Book Publishers, Cambridge, 2019, Free PDF of the book.
Novak, Lorie, VOYAGES (per)FORMED, artist book, 2001, Southeast Museum of Photography, Daytona Beach, FL, 2001
Novak, Lorie and Jan Cohen-Cruz, eds., Urban Ensemble: University / Community Collaborations in the Arts, Tisch School of the Arts, New York University, 1998, PDF
Noval, Trena, “In Other Worlds: the persistence of memory, life, and art: The work of Ana Mendieta and Lorie Novak,” Camerawork, A Journal of Photographic Arts, San Francisco, CA, Vol. 23 No.2, 1996
Okun, R., ed. The Rosenbergs—Collected Visions of Artists & Writers, Universe Books, NY, 1988
Photography in the 1990’s: fifty portfolios, CD-ROM, Wright State University, Dayton, OH, 1995
Rosenblum, Naomi, A History of Women Photographers, Abbeville Publishing Group, NY, 1994
Samis, Peter, “Fragments of an Imagined Past: Contemporary Artists and the Cult of the Faded Photograph,” S.F. Camerawork Quarterly, Fall 1989
Smith, Joel, “ROLL OVER: The Snapshot’s Museum Afterlife,” afterimage, September/October 2001 (A discussion of Collected Visions)
Smith, Joshua,The Photography of Invention: American Pictures of the 1980s,MIT Press,1989
Sturken, Marita, Tourists of History: Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero, Duke University Press, 2007
Taylor, Diana with Lorie Novak, eds, Dancing with the Zapatistas, digital book, Duke University Press, 2015
The World’s Best Photographs, 1980-1990, LIFE Magazine, Winter 1990
Wexler, Laura, Encounters in the Aftermath, exhibition brochure, Columbia University School of Art, NY, 2011, PDF
Wexler, Laura, “Instilling Interference: Lorie Novak’s Frequencies in Traumatic Time,” Women Mobilizing Memory edited by Ayse Gul Altinay, Maria José Contreras, Marianne Hirsch, Jean Howard, Banu Karaca, and Alisa Solomon, Columbia University Press, NY, 2019, PDF
Wexler, Laura, “Instilling Interference,” in ON THE SUBJECT OF ARCHIVES, ed. by Marianne Hirsch and Diana Taylor, e-misférica 9.1-9.2, Summer 2012,e- journal of the Hemispheric Institute
Wolf, Sylvia, The Digital Eye: Photographic Art in the Electronic Age, Prestel USA, 2010
Wolthers, Louise, “Virtual Selves: Art and Digital Autobiography,” in Digital Snaps: The New Face of Photography, edited by Jonas Larsen and Mette Sandbye, I.B. Tauris, London, 2014