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LORIE NOVAK

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      SELECTED PUBLICATIONS: Photographs, Articles, & Self-Authored Essays

       

      Ballerini, Julia, ed. SEQUENCE(con)SEQUENCE,  Aperture Foundation, NY, 1989

      Cerbarano, Rica, “No Images on the Front Page • The New York Times During the Pandemic”  Vogue Italia, April 7, 2020

      England, Odette, ed, Keeper of the Hearth, Schilt Publishing, 2020

      Ewing, William A. and Barbara P. Hitchcock, editors, The Polaroid Project: At the Intersection of Art and Technology),
      University of California Press, Oakland

      Felshin, Nina, The Presence of Absence: New Installations, Independent Curators, Inc., NY, NY, 1989

      Galassi, Peter, The Pleasures and Terrors of Domestic Comfort, Museum of Modern Art, NY, 1991

      Geibert, Ronald, Parents, The Dayton Art Institute, Dayton, OH, 1992

      Gender and Memory, special issue of SIGNS: Journal of Women in Culture and Society (UCLA), vol. 28, no. 1.,
      edited by Marianne Hirsch and Valerie Smith. Cover image and “Missing,” pp.478-79,
      University of Chicago Press, Journal Division, Fall 2002.

      George, Alice Rose, Abigail Heyman, and Ethan Hoffman, eds., flesh & blood, Picture Project,  NY, 1992

      Handy, Ellen, “Fixing the Art of Digital Photography: Electronic Shadows,” History of Photography,Spring 1998,
      Guest Editor Susan H. Edwards

      Handy, Ellen, “Genius loci, Ingenious Locations, and Landscape Photography Today, Nostalgia, Femininity, and Looking Toward the Millennium,”
      Camerawork, A Journal of Photographic Arts, San Francisco, CA, Vol. 23 No. 2, 1996

      Hirsch, Marianne and Lorie Novak, “Above The Fold: From Columbine to COVID, a conversation between Marianne Hirsch and Lorie Novak,”
      doc! Magazine 46, Blow Up Press, 2020, PDF

      Hirsch, Marianne, “Collected Memories: Lorie Novak’s Virtual Family Album,” in Inter/Faces: Women’s Visual and Performance Art,
      ed. by Sidonie Smith, Julia Watson, Ann Arbor: Univ. of Mich., 2003. READ

      Hirsch, Marianne, and Lorie Novak, “Family Projections: Lorie Novak in conversation with Marianne Hirsch,”
      Family Politics, Issue 20, Photoworks Annual, Brighton, England, 2013, PDF

      Hirsch Marianne, “Photography in the Age of Social Distance,” Contactos, Hemispheric Institute, 2020

      Hirsch, Marianne, The Generation of Postmemory: Writing and Visual Culture After the Holocaust,
      Columbia University Press, NY, 2012. Cover Image and work discussed in several essays.

      Hirsch, Marianne, “Projected Memory: Holocaust Photographs in Personal and Public Fantasy,”
      in Acts of Memory: cultural recall in the present ed. by Mieke Bal, Jonathan Crewe, and Leo Spitzer,
      University Press of New England, Hanover, NH, 1999

      Hirsch, Marianne, “Resisting Images:  Power, Knowledge, and Agency” in Provoking Agent
      edited by Judith Gardiner, University of Illinois Press, 1995

      Hirsch, Marianne, “Surviving Images: Holocaust Photographs and the Work of Postmemory,”
      The Yale Journal of Criticism 14.1, Spring 2001, pp. 5-37, Yale Univ. and The Johns Hopkins Univ. Press. PDF

      Hirsch, Marianne, FAMILY FRAMES photography, narrative, and postmemory, Harvard,1997

      Hirsch, Marianne and Leo Spitzer, School Photos in Liquid Time: Reframing Difference,
      University of Washington Press, Seattle, 2020

      Kenny, Kay, “Lorie Novak,” Encyclopedia of Twentieth-Century Photography, Routledge, NY,
      Volume 2, p.1169-1172, 2006

      Korean Monthly Photo Magazine, Featured Photographer, October 2005

      Lahs-Gonzales, Olivia and Lucy Lippard, Defining Eye: Women Photographers of the 20th Century,
      St. Louis Art Museum, St. Louis, MO, 1997

      Lovejoy, Margot, Digital Currents: Art in the Electronic Age, Routledge, 2004

      Marocci, Roxanne, ed. with contributions from Helen Kornblum, Kathy Halbreich, Dana Ostrander, Caitlin Ryan, and Phil Taylor,
      Our Selves: Photographs by Women Artists, Museum of Modern Art, 2022

      Nordstrom, Alison, VOYAGES (per)FORMED exhibition catalogue, Southeast Museum of Photography, Daytona Beach, FL, 2001

      Novak, Lorie, “Collected Visions”, in The Familial Gaze, ed. by Marianne Hirsch,
      University Press of New England, Hanover, NH, 1999, PDF

      Novak, Lorie, “Fragments and Past Lives,” in Gender and Culture in the 1950s edited by Deborah Nelson,
      WSQ (Women’s Studies Quarterly), Vol 33, Nos. 3 & 4, Fall/Winter 2005, PDF

      Novak, Lorie, “Photographic Interference,” in Picturing Atrocity
      edited by Geoffrey Batchen, Mick Gidley, Nancy K. Miller, Jay Prosser, Reaktion Books, London, 2012, PDF

      Novak, Lorie, “Photographs,” 9 11: Trauma at Home, ed. by Judith Greenberg, Univ. of Nebraska, 2003

      Novak, Lorie, “Visualizing Displacement Above The Fold” in Women and Migration(s)
      edited by Deborah Willis, Ellyn Toscano, Kalia Brooks Nelson, Open Book Publishers, Cambridge, 2019, Free PDF of the book.

      Novak, Lorie, VOYAGES (per)FORMED, artist book, 2001, Southeast Museum of Photography, Daytona Beach, FL, 2001

      Novak, Lorie and Jan Cohen-Cruz, eds., Urban Ensemble: University / Community Collaborations in the Arts,
      Tisch School of the Arts, New York University, 1998, PDF

      Noval, Trena, “In Other Worlds: the persistence of memory, life, and art: The work of Ana Mendieta and Lorie Novak,”
      Camerawork, A Journal of Photographic Arts, San Francisco, CA, Vol. 23 No.2, 1996

      Okun, R., ed. The Rosenbergs—Collected Visions of Artists & Writers, Universe Books, NY, 1988

      Photography in the 1990’s:  fifty portfolios, CD-ROM, Wright State University, Dayton, OH, 1995

      Rosenblum, Naomi, A History of Women Photographers, Abbeville Publishing Group, NY, 1994

      Samis, Peter, “Fragments of an Imagined Past: Contemporary Artists and the Cult of the Faded Photograph,”
      S.F. Camerawork Quarterly, Fall 1989

      Smith, Joel, “ROLL OVER: The Snapshot’s Museum Afterlife,” afterimage, September/October 2001 (A discussion of  Collected Visions)

      Smith, Joshua,The Photography of Invention: American Pictures of the 1980s,MIT Press,1989

      Sturken, Marita, Tourists of History: Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero, Duke University Press, 2007

      Taylor, Diana with Lorie Novak, eds, Dancing with the Zapatistas, digital book, Duke University Press, 2015

      The World’s Best Photographs, 1980-1990, LIFE Magazine, Winter 1990

      Wexler, Laura, Encounters in the Aftermath, exhibition brochure, Columbia University School of Art, NY, 2011, PDF

      Wexler, Laura, “Instilling Interference: Lorie Novak’s Frequencies in Traumatic Time,” Women Mobilizing Memory
      edited by  Ayse Gul Altinay, Maria José Contreras, Marianne Hirsch, Jean Howard, Banu Karaca, and Alisa Solomon,
      Columbia University Press, NY, 2019, PDF

      Wexler, Laura, “Instilling Interference,” in ON THE SUBJECT OF ARCHIVES, ed. by Marianne Hirsch and Diana Taylor,
      e-misférica 9.1-9.2, Summer 2012,e- journal of the Hemispheric Institute

      Wolf, Sylvia, The Digital Eye: Photographic Art in the Electronic Age, Prestel USA, 2010

      Wolthers, Louise, “Virtual Selves: Art and Digital Autobiography,” in Digital Snaps: The New Face of Photography,
      edited by Jonas Larsen and Mette Sandbye, I.B. Tauris, London, 2014

      © 2023 Lorie NovakMINIMAL

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